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1. Exit Grid Recording mode

2. Select the pattern to clear

3. Press FUNC and ▶️ to clear the pattern's trigs

1. Press ⏺ to enter recording mode

2. Hold down TRIG for the step(s) to remove

3. Press the DATA ENTRY knob for the parameter to remove

1. Press FUNC and LFO to access the Compressor

2. “THR” is the threshold: lowever values mean more compression

3. “RAT” is the ratio: higher values mean more compression

4. “SCS” is the sidechain source, i.e. what is triggering compression

   Value	Meaning
   MAIN	Main L/R mix triggers compression, i.e. the conventional approach
   TRK1–8	Track 1–8, respectively, triggers the compression, i.e. sidechaining.
   IN L	Left input triggers the compression, i.e. sidechaining from external source.
   IN R	Right input triggers the compression, i.e. sidechaining from external source.

5. “SCF” filters the sidechain, with negative being a low-pass and positive being high-pass

Muting the sidechained track stops all compression, however make-up gain is still applied, so this tends to not sound great

1. Press and hold TRK

2. Adjust any parameter and it adjusts for all audio tracks

3. Press NO to revert changes

4. Release TRK

1. Exit Grid Recording mode

2. Select the pattern to copy from

3. Press FUNC and ⏺ to copy the pattern

4. Selec the pattern to copy to

5. Press FUNC and ⏹️ to paste the pattern

1. Select the track to copy from

2. Tab ⏺

3. Hold down TRK and tap ⏺

4. Hold down TRK and tap the track to copy to

5. Hold down TRK and tap ⏹️

This copies the sound, which is the sample + params

1. Select the track to copy from

2. Tab ⏺

3. Hold down FUNC and tap ⏺

4. Hold down TRK and tap the track to copy to

5. Hold down FUNC and tap ⏹️

This copies trigs, but not parameters/sound

1. In recording mode, navigate to the page to copy

2. Hold down PAGE and tap ⏺

3. Navigate to the page to paste to

4. Hold down PAGE and tap ⏹️

1. Hold down the trig to copy

2. Press ⏺ to copy it

3. Release and hold down the trig to paste to

4. Press ⏹️ to paste

You can only paste to one trig at a time, but you can keep pasting as long as you don't copy something else

1. Press YES and PAGE to activate fills for the next repetition of the pattern

2. Hold PAGE to activate fills immediately while held down

3. To latch fill mode, you must be stopped!

4. Then, press YES and PAGE, release PAGE, then release YES

5. Press PAGE to unlatch Fill Mode (you can do this while playing)

1. Set the Speed to 8

2. Set the MULT to 16

3. This will produce one cycle for each page, assuming the use of ¹⁄₁₆ notes per step

4. I find the relationship confusing

   SPD⁄MULT	2	8	32	128
   8	128	32	8	2
   32	32	8	2	1⁄2
   64	16	4	1	1⁄4

5. For “FAD” a negative value is a fade-in

6. The “MODE” values are as follows:

   Value	Meaning
   FRE	Free-running, never restarting on triggers (though seems to restart on play)
   TRG	Restarts when a note is triggered
   HLD	Free-running, but a trigger latches to the current value until the next trig
   ONE	Runs once, like an envelope
   HLF	Runs for half the wave, then stops, like an envelope

1. Press and hold any TRIG keys

2. Press ↑ or ↓ to open menu

3. “Retrig” must be on

4. Press ↑ or ↓ to change the rate of retriggering

5. Turn D to configure how long retriggering will happen

6. Turn H to adjust the velocity curve. Negative values will fade out, positive fade up.

MIDI trigs cannot be ratcheted. Also note if a trig occurs before the rate + length would complete, the retriggering will be stopped by the trig

1. Ensure the track is using the “Slice” machine

2. Place trigs, e.g. every step or every other step

3. Press YES, then choose “Create Linear Locks”

4. Press YES to confirm

1. Ensure the track is using the “Slice” machine

2. Place trigs, e.g. every step or every other step

3. Press YES, then choose “Create Random Locks”

4. Press YES to confirm

1. Hold FUNC and tap YES

2. Adjust anything anywhere you want

3. Hold FUNC and tap NO, and all changes are reverted to the save point

1. Add a sound to the Pool, which allows sound locks

   Step
   Press FUNC and ⋯
   Select “Manage Sounds”
   For each sound you want to add, press YES to select it
   Tap FUNC and YES to audition it
   Press → to open a menu
   Select “Copy To…”, then “Pool”

2. Press FUNC and turn Level/Data

3. Press ← to reveal a menu

4. Select “View Pool”, “View +Drive”, or “Filter” as needed

5. Tap FUNC and YES to audition sounds

6. Select the sound

7. You can hold FUNC and tap a track to change which track you will load into

8. Tap YES to change the sound of the track

1. Hold down any of the trig buttons you want to flip

2. Turn Level/Data

3. Release the trigs when you've selected the sound

4. Press and hold the trigs again, and the name of the sound will show on the screen

1. Press FUNC and ⋯

2. Select “Export Sounds”

3. Use Level/Data to choose an empty slot

4. Name the sound

5. Add tags by navigating and tapping Yes to toggle tags

6. Navigate back to “Save”, then tap Yes to save

1. Press ⏺ and ⏹️ to enter step recording mode

2. Press a TRIG key to indicate where to start recording

3. Enter notes via MIDI keyboard, and each step will advance

4. Tap NO to add a rest, or just tap the next trig where you want to enter a note

Ties and length changes don't seem possible

1. Press FUNC and PAGE to enter the scale menu

2. Change scale as needed. 1x are ¹⁄₁₆ notes, 2x are ¹⁄₃₂ notes, ¹⁄₂x are ¹⁄₈ notes, etc.

1. Hold down TRIG step(s) to lock trigs, or don't to affect track

2. Choose the condition

   Condition	Meaning
   X%	Play X% of the time
   FILL	Played only when in fill mode
   FILL	Played when not in fill mode
   A:B	Trigger A times out of B repeats of the pattern
   PRE	Play if most previous condition was true
   PRE	Played when most previous condition not true
   1ST	Play only the first time the pattern is looped
   1ST	Play always, exception the first time the pattern is looped
   NEI	Play if most previous condition on track-1 was true
   NEI	Played when most previous condition on track-1 not true

To trig different notes on the same step under different conditions, micro-timing can be used to move any step completely forward or backward one step